It isn’t necessary to speak about Rinat Shakirov much, his execution of music of Bach, Mozart, Chopin… it is necessary to listen much. And then the round dance of guardian angels of the pianist becomes visible and clear.
Victor GONCHARENKO
professor, honored worker of arts of Russia and Ukraine
| MOZART | Concerto №27 B-dur for piano and orchestra |
| LISZT | Concerto №2 A-dur for piano and orchestra |
| BRAHMS | Concerto №2 B-dur for piano and orchestra op.83 |
| CHOPIN | Concerto №2 f-moll for piano and orchestra |
| GRIEG | Concerto a-moll for piano and orchestra |
| RACHMANINOFF | Concerto №3 d-moll for piano and orchestra |
| RACHMANINOFF | Rhapsody on Theme by Paganini for piano and orchestra op.43 |
| TCHAIKOVSKY | Concerto №1 b-moll for piano and orchestra |
| TCHAIKOVSKY | Concerto №2 g-moll for piano and orchestra |
| ARENSKY | Fantasy on Theme by Ryabinin for piano and orchestra |
| GERSHWIN | “Rhapsody in blue” for piano and orchestra |
| GERSHWIN | “I got the rhythm” for piano and orchestra |
| R. KALIMULLIN | Concerto for piano and orchestra (first performance) |
| R. YAKHIN – R. ABYAZOV |
Concerto for piano and orchestra |
| S. SLONIMSKY | “Jewish Rhapsody”. Concerto for piano and orchestra |
| I. SHWARTZ | Concertino for piano and orchestra |
| N. JIGANOV – R. ABYAZOV |
Suite for piano and orchestra |
| L. RESETDINOV | ” “SAINT-PETERSBURG NOCTURNES” Lyrical suite for piano, strings, and percussion (to R.Shakirov, first performance) |
| BACH | Partita №6 e-moll Aria variata alla maniera italiana Concherto nach italienischem qusto |
| SCARLATTI | Ten sonatas: C-dur L S 2; F-moll L 27; H-moll L 150; C-dur L 206; A-dur L 368; D-dur L 369; c-moll L 352; D-dur L 465; A-dur L 483; B-dur L 497 |
| MOZART | Sonats B-dur Kh №570; D-dur Kh №576; A-dur Kh №331; C-dur Kh №330 Rondo D-dur |
| BEETHOVEN | Sonata №8 c-moll op.13 (“Pathetique”) Sonata №14 cis-moll op.27 №2 (“Mondschein”) Sonata №31 As-dur op.110 Sonata №32 c-moll op.111 Six Variations F-dur op.34 Andante F-dur |
| SCHUBERT
|
Sonata D-dur op.53 Sonata-Fantasy G-dur op.78 Impromptu B-dur op.142 Four Impromptus op.90 “Landlers” «Die schone Mullerin» Ein Ziklus von Liedern von W.Muller “Die schone Mullerin” |
| SCHUBERT – LISZT |
Lieder “Der Mueller und der Bach”, “Der Doppelgaenger” |
| LISZT | Sonata h- moll, “Funerailles” Etudes |
| BRAHMS | Four Ballads op.10 |
| SCHUMANN | “Arabeske” C-dur op.18 “Kreisleriana” op.16 “Etudes Simphoniques” op.13 “Kinderszenen” op.15 “Fantasie” op.17 “Dichterliebe” Liederzyklus von H. Heine |
| CHOPIN | 13 Waltzes: op.18, op.34 №1, 2,3; op.42, op.64 №1, op.64 №2, 3; op.69 №1, 2; op.70 №1, 2, 3. 7 Mazurkas: op.6 №4, op.7 №3; op.17 №4; op.24 №4; op.24 №2; op.30 №4; op.63 №3; op.67 №4 Nocturnes Impromptu op.29 Polonaise As-dur op.53 |
| DEBUSSY | “La Fille aux cheveux de lin” “La terrasse des audiences du clair de lune” “Ce qu’a vu le vent d’Ouest” “Suite Bergamasque” Deux Arabesques Suite “For Piano” |
| MESSIAEN | 12 pieces from cycle “Vingt Regards sur l’enfant JESUS”(1944). |
| HINDEMITH | “LUDUS TONALIS” (1942) |
| PROKOFIEV | Sonata №8 op.84 “ROMEO AND JULIA” suite from ballet op.75 |
| CHOSTAKOVITCH | “Twenty four Preludes for piano” Eight Preludes and Fugues op.87 |
| SCRIABINE | Eighteen Poems for piano: op.32 №1,2;op.34; op.41; op.45 №2; op.44 №1; op.51 №3; op.52 №1; op.52 №3; op.59 №1; op.61 №1,2; op.71 №1,2; op.61; op.63 №1; op.63 №2; op.72 “Twenty four Preludes for piano” op.11 |
| RACHMANINOV | Variations on Theme by Corelli op.42 Nine Etudes-tableaux: op.33 №№2, 3, 6; op.39 №№ 1, 2, 4, 6, 7, 9 Five Preludes: op.3 №2; op.23 №2, 4, 5; op.32 №12 |
| GLINKA | Nocturne “Parting” |
| TCHAIKOVSKY | “Les Saisons” 12 pieces for piano “Dumka” op.59 |
| G. USTVOLSKAYA | Sonata №1 for piano |
| B. TISHENKO | “EVRIKA!” Sonata №10 for piano(first performance) |
| V. KASENIN | Sonata №2 for piano. Preludes |
| S. SLONIMSKY | 3 pieces for piano (first performance) |
| L. RESETDINOV | “SAINT-PETERSBURG NOCTURNES” Lyrical suite for piano (to R.Shakirov, first performance) 2 pieces for piano (first performance) |
| STRAVINSKI | “SERENADA in A” (1925): 1. Hymn. 2. Romance. 3.Rondoletta “Five fngers” (1921) 8 melodies on 5 notes “Tango” (1940) “Petrushka” (1921) |
| SCOTT JOPLIN | 8 Ragtimes |
| VILLA-LOBOS | “Brazilian Bachiana №4” |
| WEBERN | Variations op.27 (1936) |
| LIGETI | Etude №2 “CORDES VIDES” (1985) |
| MORIS OHANA | 4 Preludes from “24 Preludes” (1973) |
| F. YARULLIN – R. SHAKIROV |
“Shurale” suite for piano in seven parts from ballet |
| R. KALIMULLIN | “Morning in Istanbul” fantasy |
| R. YAKHIN | “Waltz-fantasy” 25 romances for soprano and piano |
| R. ENIKEEV | Sonata №2 h-moll |
| A. MONASUPOV | 3 pieces for piano: 1. “Rain” 2. “Magic wood” 3. “Marsh”. |
| A. RADVILOVICH | “Brave new world” (1997 (BY ALDOUS HUXLEY)) |
| M. ZHURAVLEV | “Grand concert waltz” оp.62 (to R. Shakirov, first performance) Sonata No. 4, finale (first performance) |
| V. DESHEVOV | RAILS оp.16 (1926) |
| Yuri TYULIN | “DE PROFUNDIS” оp.13 (1924) |
| I. SCHILLINGER | “EXCENTRICA” in three parts, оp.14 (1924) |
| A. LURIE | “UPMANN”- the Smoking joke. (1917) |